The fact that her triumph runs simultaneous over twenty years to Louise's real-life collapse from celebrated star to the washed-up drunk who returned to Wichita in shame feels cheap and unearned. The Chaperone's quick wrap-up suggests that Norma's snap decision to change her life (by breaking every rule that's guided her narrow existence) somehow results in a seamless transition from frustration and powerlessness to complete happiness and self actualization. That Louise will become an international film star whose persona embodied the iconoclastic flapper of the Jazz Age - the precursor to the modern liberated woman - gives the story more weight than it would otherwise deserve. Performances by the endearing McGovern, who is around twenty years older than the book's character, and the cheeky Richardson are solid and admirable, but they can't overcome a sense that the script feels pat and obvious, relying on both a metaphorical and a real restrictive corset to remind us how repressed women of the time were. Twists and turns of this movie are alternately predictable and engaging, but for the most part the story seems a bit too timid and neatly tied up to pack the emotional punch it might have had. In contrast, Louise is so unrestrained, her freedom may end up harming her in a society not yet ready for her. Together these disappointments lead her to take charge of her life. Flashbacks to a trauma in Norma's marriage make it clear that she remains sexually unfulfilled. When she works around the obstacles and finds her mother, she's faced with the hypocrisy created by more rules that hold women back. Norma was adopted in New York and though she eagerly tries to find out who her parents were, the nuns at her orphanage refuse access to her records. Norma is a prohibitionist and Louise mischievously sneaks out to get drunk at a speakeasy. Although Norma admires Louise's talent and supports her breaking free of certain restraints, they're still at odds. Norma is so starchy she can't even imagine that Louise's candy has already been "unwrapped" and that the girl cares not at all about her prospects for marriage, a form of voluntary bondage in her view. "Men don't like candy that's been unwrapped," Norma advises the bemused Louise. Predictably, Louise feels constrained by the corseted Presbyterian moralist sharing her room. “It has a strong comedic flavour,” he said.While THE CHAPERONE imagines the story of Wichita-bred movie star Louise Brooks (Haley Lu Richardson) as she heads to New York City of 1922 to study modern dance with the famed Denishawn dance company, the focus is on local matron Norma Carlisle (Elizabeth McGovern), who volunteers to accompany and watch over the 15-year-old in the wicked big city. Rathbone said the film includes live action Kung Fu segments, puppets and exploding piñatas. The story is told by Ralph Whims and Stefan Czernatowicz, who were the teacher/chaperone and DJ at the dance. That’s the most outrageous thing I’ve ever heard,’ he recalled. “When told that bikers once invaded a middle school dance in a Montreal church basement, Neil Rathbone couldn’t believe it. The film has recently been premiered at the Toronto International Film Festival. Chaperone funny cartoons from CartoonStock directory - the worlds largest on-line collection of cartoons and comics. Just the trailer available to view on Vimeo at present. seduce seducing seduction seductions date dates love life love-life boyfriend boyfriends girlfriend girlfriends chaperone chaperones chaperoning chaperoned first date first dates lothario lotharios.
Something new here – I’m fairly certain this is the first animated documentary made in stereoscopic 3D that we’ve featured! Is this a new movement in animadoc film-making? It’s definitely one that I didn’t see coming.
The Chaperone 3D Trailer from Thoroughbread Pictures on Vimeo.